It treats existing history as something that can be expanded upon rather than altered and turns the bugs inherent in the idea of the status quo and turns them into a textual feature. It is not something to spoil in prose such as this when it can be witnessed within the pages of the book, though it can be said fits with the idea of seeing the bigger picture. It is home to one of the most inventive gambits of superhero comic books and even if this were the only big swing found in the two series, it would still be enough for the whole experience to warrant the gamechanger moniker. When the series was originally released, this issue's importance was demarcated by red colouring on the publishing schedule. She gets a spotlight issue in House of X #2 to expand on her life's choices. This is abundantly true when talking about Moira, who is the most integral part of why Krakoa is what it is. Used to explain the purposes of various Krakoan flowers and similar types of information, it grants these details the space to be properly explained and they read much better in this format than if they were part of a character's spoken exposition. This look isn't just reserved for the credits pages or backmatter but utilized for charts, infographics, and prose built into the structural approach of the series, a necessary component of the overall pacing.
Supplemented by Tom Muller's minimalist design work, the presentation for this story feels like a breath of fresh air right out of the gate.
Now collected as both an oversized hardcover and standard trade paperback, in 2019's House of X / Powers of X Hickman calls his shot with the above quote from Professor X, which opens House of X #1. Silva, Adriano Di Benedetto, Marte Gracia, and David Curiel
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